An annual event making it to it’s 27th year,
Farm Aid supports local family farmers to aid them in keeping their land and
thrive in a tough economy. Concert goers can find it easy to get wrapped up in
the music and forget this day is for a cause. But each musician speaking about the
benefit made us all realize we were there for something more than a day of
entertainment, we were there to help local families survive on the land we live
on. Overall the fans enjoyed the day and the sell out crowd took in every
moment of the music, but perhaps not the venue.
Packing 29,000 people into Hershey stadium was something
left to be desired by the concert promoter. The small and narrow walkways under
the bleachers housed most of the beer and food vendors as well as the
bathrooms. When you left the field you knew you were in for a long wait. 1 hour
beer lines made for a miserable crowd experience and not to mention the 1 hour
bathroom lines as well (Yikes!). Trying to navigate through the crowd in these
areas left us frustrated. But thank goodness for the incredible line up,
because when you entered the field and left the madness behind, it seemed like
none of that mattered and all the stress melted away.
The afternoon started at 2:00 PM with Dale Watson, Lukas
Nelson & Promise of the Real (Willie Nelson’s son), Pegi Young and the
Survivors and ALO. I casually caught these acts in the parking lot on Sirius
Radio’s Farm Aid channel – Willie’s Wheelhouse. We entered the stadium as Jamey
Johnson strummed his first song. He did well and had a solid set. I have not
ever previously heard his music but enjoyed it as I relaxed and took in the
scene. Grace Potter & the Nocturnals came out blazing after Jamey Johnson’s
slower blend and were joined on Stage by Willie Nelson for “Ragged Company” and
finished up their short five song set with “Medicine”.
Jack Johnson opened with “Better Together” and “Home”. If
you have ever seen him live you know what to expect. Jack is consistent and
flawless as Jack always is. He commented on his wife sitting in the front row
“making him nervous” and made the fans sigh, “awe”. I love how his family tours with him and he
mentioned many times that several of his songs were written about her. He went
down his list of greatest hits, which made the hippies in the crowd roar and
dance, and yes I was one of them. He finished his set strong with “Bubble
Toes”, “Banana Pancakes”, “Flake” and “Mudfootball”.
Kenny Chesney, was well…Kenny Chesney. White shirt, ball
cap, and jeans so tight he must have just pulled them out of the dryer. I was a
little bummed he did not sing “She Thinks My Tractor’s Sexy”, especially this
being Farm Aid, but he choose to
perform other hits such as “Beer In Mexico” and “No Shoes, No Shirt, No
Problem”.
Now the highlight of the evening was Dave Matthews with
Tim Reynolds. Absolutely stole the show. Being a huge DMB fan, I have seen him
about a dozen times, so I can say with confidence I have never experienced him
like this. He opened with “Gravedigger” and I was enthralled, I think I even
had tears coming down my face at one point. And my question to the music
writers of the world, “Why hasn’t Tim Reynolds ever made the list for the top
50 guitarists of all time?!” He took his
acoustic guitar and turned it on its side, manipulating every string and
sounding like a classically trained Spanish guitar player. He made their
acoustic set spark something deep within them as musicians and us as fans
watched in amazement. They continued
wowing the stadium with “Stay or Leave”, “Don’t Drink the Water” and “Funny the
Way It Is”. Then Dave took us all to another level of sexy with his stripped
down version of “Crush”. I swear I saw a dozen women lighting up cigarettes
after this intense love song, including myself. Matthews and Reynolds took us
home with “Mercy”, “Dancing Nancies”, and “Some Devil”, sealing up their set
and made us all think this was the end of the night. I forgot we still had the
founding fathers of Farm Aid to see!
John Cougar Melloncamp opened with “Authority Song” and
sounded rough. He is an American music legend that has toured the nation for
years and I think it may be wearing on him. By the time “Small Town” was
performed, I thought he was not going to make it to the end of his set. Kenny
Chesney boyishly joined him on stage, with his hand in one pocket and appeared
to forget the lyrics. After half way through his segment, Melloncamp did warm
up and killed the end of his set with “Crumbling Down” and “Pink Houses”, a
definite crowd pleaser to the point that everyone sang in unison, “There's a young man in a t-shirt|Listenin' to a rockin'
rollin' station|He's got greasy hair, greasy smile|He says, "Lord this
must be my destination."
Neil Young and Crazy Horse…what can I say but
I have never been a fan. However, as an advocate to music I respect their
talent and their status of being American icons, but I was a little lost during
Young’s set. There were hardly any lyrics and each song was mostly instrumental,
in other words all jam without the bread. When he did sing, he missed the microphone
so many times it was hard to make out the lyrics. Closing his set with “Like a
Hurricane” (over 15 minutes in length), Young repeated the line “I wanna love
you” over and over again. I think I fell asleep in the middle of the
arrangement at some point and when I woke up I noticed most of the bleachers
were empty. The crowd had dissipated and called it an evening.
Finally, a little after 11
PM, the man himself took the stage, Mr. Willie Nelson. Quick and classic this
old favorite did not disappoint. Singing in his familiar voice, he took the stage
looking as he did 20 years ago, with a full beard and long braids. Nelson opened
with “Whiskey River” and “Beer for My Horses” and later talked through his
performance of the Patsy Cline favorite “Crazy” like spoken word. The highlight
of his set was when his son joined him on stage for the Pearl Jam cover “Just
Breathe”. Nelson and his son have such similar singing styles it became hard to
tell who was the melody and who was the harmony. He closed the evening with The
Blackwood Quartet and The Bee Creek UMC Choir for
“I’ll Fly Away” and “Roll Me Up and Smoke Me When I Die”.
The day came and went and I
witnessed many American musical icons, which I would not trade anything for in
the world. As a whole I thoroughly enjoyed myself and wished I could have
shared this experience with all my friends that could not make the trip. I can
only hope Farm Aid will release a DVD of the concert not only to share and
relive my experience but to provide support for a worthy American cause. To
support local farmers, please check out their website www.farmaid.org
to see how you can donate. And check out their YouTube site for Live performances.
Check out full set lists here